Golden hour at Luna Mesa, at the Fortnight Residency.

Undercurrent by Emmi Whitehorse, oil pastel, chalk, and paper on canvas. The post considers her work and that of Polly Barton in terms of their use of color and mark-making.

A stencilled circle in denim pulp drains over the vat in Helen Hiebert’s papermaking studio.

Some recent gel prints made for an artist book

detail, Ambreen Butt, Soul of my Soul.

Detail of stitched monoprint by Molly Elkind

One of the collage studies I’ve done recently: cholla fragments on handmade paper

Some of the handmade paper I made in Helen Hiebert’s Paper Retreat last week.

A view of the gallery featuring work by fiber artists at the Intermountain Weavers Conference in Albuquerque last week.

I spent last week in glorious head-down, focused studio work at Rebecca’s Mezoff’s Fortnight Residency location near Mancos, CO.

Take a look at some of the work!

What’s your work really about?

This post offers a visual recap of my trip to Oaxaca, Mexico—the crafts, the food, the ruins, the shopping.